The Competition Guide

Age categories

• Débutant7–8
• Premiers Pas9–10
• Espoir11–12
• Étude13–14
• Supérieur15–16
• Pre-Professional15–20
• Professional19–24

Levels. No separate recreational track: dancers progress by age and technical level. The Pre-Professional category only opens at 15.

Variation. Set variation from Débutant to Supérieur, or a free non-repertoire piece. Repertoire is reserved for the Pre-Pro and Pro categories.

Where each type of variation is allowed

• Set variationAll categories from Débutant to Supérieur7–16
• FreeFree non-repertoire variation, up to Supérieur7–16
• RepertoireReserved for the Pre-Professional and Professional categories, so from age 1515–24

Masterclasses. Included for competitors from the Étude category upwards. €115 for non-competitors.

Jury. Not published. The rules only mention “leading figures” of classical ballet.

What you can win. Étude: gold €150, silver €120, bronze €80. City of Grasse Prize €400, Jury Prize €350, scholarships and course places.

Worth knowing. 39 editions. The masterclass included from the Étude category is unusual and worth the trip on its own.

Official site →Full sheet (shareable) →

Age categories

• Poussins6–8
• Premiers Pas8–10
• Jeunes Talents10–12
• Avenir12–13
• Avenir — Professional Preparation13–15
• Étude13–14
• Espoir13–15
• Junior15–16
• Junior — Professional Preparation16–22
• Supérieur / Avancé / Excellence16–22

Levels. Three clearly defined tracks. Loisir: dancers training lightly. Passion: regular training without a timetabled school programme. Professional Preparation: daily training or a timetabled programme — open from age 13.

Variation. Set variation in Loisir and Passion, learned from a USB stick. Free in Passion Avancé and Pre-Pro. Repertoire in Pre-Pro 3 and Élite.

Where each type of variation is allowed

• Set variationLoisir and Passion tracks, variation learned from a USB stick6–22
• FreeThe whole Professional Preparation track, from the Avenir category13–22
• FreeOnly in Passion Avancé and Excellence16–22
• RepertoireOnly in Pre-Pro 3 and Élite16–22

Masterclasses. No masterclass built into the competition. Course places are offered as prizes.

Jury. Named in the rules — 13 judges in 2025. Stated selection criterion: real experience teaching amateurs, not prestige alone. An observer checks that marking stays consistent.

What you can win. Jury Grand Prix: €50 in Loisir, €100 in Passion, €150 in Pre-Pro. A gold medal with jury commendation forces promotion to the next track the following year.

Worth knowing. The year-on-year progression system is the most thought-through on the French circuit. Registration goes through buying the USB stick with the set variations.

Official site →Full sheet (shareable) →

Age categories

• Category 18–11
• Category 212–14
• Category 315–17
• Category 418–30

Levels. Two tracks: Amateur and Pre-Pro. The split is clear but no training-hours criterion is published.

Variation. Repertoire allowed in Pre-Pro only; choreographed variation in Amateur. Solos from 1'30 to 3'.

Where each type of variation is allowed

• FreeChoreographed variation, in both tracks8–30
• RepertoireAllowed in the Pre-Pro track only, at any age8–30

Masterclasses. Offered only as prizes.

Jury. Not published. Candidates are judged anonymously.

What you can win. Technical and artistic marks out of 20. Gold from 16. Jury favourites, photography prize, free masterclasses.

Worth knowing. Multi-style competition — classical, modern jazz, contemporary, hip-hop. The pre-pro track exists but the field stays generalist.

Official site →Full sheet (shareable) →

Age categories

• Poussin8–10
• Espoir A11
• Espoir B12
• Étude13–14
• Supérieur15–16
• Néo-Pro17–20

Levels. No recreational or pre-pro track: the split is purely by age, and the competition is entirely classical. The field is technical by design.

Variation. Free variation for the younger categories, repertoire at advanced levels. 2 minutes maximum.

Where each type of variation is allowed

• FreeAll categories8–20
• RepertoireAt advanced levels only — Supérieur and Néo-Pro15–20

Masterclasses. Not published.

Jury. Chaired by Élisabeth Platel, étoile and director of the Paris Opera Ballet School, alongside Cyril Atanassoff, étoile. This is the only jury of this standing published by name on the French circuit.

What you can win. Medals and cash awards from €50 to €300 by category. Grand Prix: €500.

Worth knowing. 39 editions, an entirely classical format, €60 entry and a jury no one else can match. The best seriousness-to-price ratio on the French calendar.

Official site →Full sheet (shareable) →

Age categories

• Préparatoire8–9
• Élémentaire10–11
• Moyen 1 (demi-pointe)12–13
• Moyen 2 (on pointe)12–13
• Intermédiaire14–15
• Avancé16–17
• Supérieur18–20

Levels. Three self-declared levels: amateur (~5 h of dance a week), avancé (6–12 h) and pre-pro (12 h+, professional track). The jury may reclassify a candidate who ticked the wrong box.

Variation. Timings: 1 min 45 max for Préparatoire, 2 min max above; duos 3 min, groups 3 min 30 (duo/group categories by average age, all disciplines). Demi-pointe up to Moyen 1, pointe from Moyen 2.

Where each type of variation is allowed

• FreeAll categories, in classical as well as modern-jazz and contemporary8–20
• RepertoireIntermédiaire, Avancé and Supérieur — pre-pro category only14–20

Masterclasses. An on-stage class in front of the jury on Saturday morning for all soloists — it is part of the competition, letting the jury see candidates before the variations.

Jury. 2027 jury not yet announced — “recognised names” in classical, contemporary and modern-jazz. Decisions are final.

What you can win. Gold, silver, bronze and finalist medals; City of Dax prize; audience prize; special jury prize; workshops and cash prizes. Marking: technique /20 + artistry /20.

Worth knowing. First edition in 2027, created by two former professional dancers from the Basque Country. Open from age 8, three disciplines. The final uses the same variation as the heats, but in stage costume. Streamed live on Facebook; photos and videos forbidden (professionals handle both).

Official site →Full sheet (shareable) →

Age categories

• Préparatoire8–9
• Élémentaire10–11
• Intermédiaire12–13
• Moyen13–14
• Avancé15–16
• Expert17–22

Levels. No separate track — age brackets only. Note that Intermédiaire and Moyen overlap at 13: ask the organisers for the exact rule.

Variation. A two-discipline competition: free choice up to 13, then classical and contemporary or jazz both required from 14. Three variations in Avancé and Expert.

Where each type of variation is allowed

• Free—8–22

Masterclasses. Not published.

Jury. Not published. Finalists get a debrief — a rare piece of teaching feedback on this circuit.

What you can win. C2ladanse Grand Prix for dancers 13 and over competing in both disciplines, Prix Pépite for under-13s, medals by category and discipline.

Worth knowing. Rewards versatility. The finalists' debrief makes it a good competition to learn from.

Official site →Full sheet (shareable) →

Age categories

• Enfant, Espoir 1 and 2, Élémentaire, Supérieur — brackets not published8–25

Levels. Two clearly separated sections: Étude, for strong amateurs, and Open Pre-professional. An FFD licence is required for Étude but not for Open Pre-professional — so a conservatoire student without a licence can enter.

Variation. Set variations, with an official video released each year.

Where each type of variation is allowed

• Set variationIn both sections, Étude and Open Pre-professional8–25

Masterclasses. Not published.

Jury. Not published, including for previous editions.

What you can win. Pre-pro section: 1st, 2nd and 3rd prizes, accessits, course places and awards. Étude section: gold, silver and bronze Classique.

Worth knowing. One of the two French federation circuits, alongside the CND. Almost nothing is available online: everything goes through the regional committee.

Official site →Full sheet (shareable) →

Age categories

• Amateur level 18–10
• Amateur level 211–13
• Amateur level 314–16
• Pre-professional level 211–13
• Pre-professional level 314–16
• Amateur and Pre-pro level 417–25
• Professional18–40

Levels. Three tracks: Amateurs, “Millésime” Pre-professionals and Professionals. The pre-pro track opens at 11.

Variation. Free variation in Amateur classical. Repertoire on pointe in Pre-Pro and Pro, except at level 2. An improvisation event is also offered.

Where each type of variation is allowed

• FreeAmateur track, classical on demi-pointe or pointe8–25
• RepertoirePre-professional and Professional tracks, but not at level 2 (ages 11-13)14–25

Masterclasses. Offered as an option, €25 per class.

Jury. Not published. The rules say “universally recognised figures”. Marked out of 20: technique, execution, musicality, artistic quality.

What you can win. Bronze 14, silver 15, gold 16, unanimous gold 17, gold with commendation 18, Jury Grand Prix 19. Jury favourites, Prix Millésime, Choreography Prize.

Worth knowing. The best-documented French competition: its 2027 rulebook is already out, which no other has managed. Nearly 400 dancers from six countries in 2026.

Official site →Full sheet (shareable) →

Age categories

• Categories not published8–25

Levels. Not published. The organiser's website blocks access.

Variation. Not published.

Where each type of variation is allowed

• Free ?Not published8–25

Masterclasses. Not published.

Jury. Not published, including for previous editions.

What you can win. Not published.

Worth knowing. A long-running international competition — over 25 editions — whose standard cannot be established online. Worth contacting directly.

Official site →Full sheet (shareable) →

Age categories

• Child8–11
• Junior12–14
• Teen15–17
• Adult18–40

Levels. Two levels set by training hours: Loisir up to 4 h a week for children, 6 h for Juniors, 8 h for teens — and Avancée above that. Avancée is compulsory for EAT holders.

Variation. No repertoire pieces, except in classical ballet. Solo 2 minutes maximum.

Where each type of variation is allowed

• FreeChoreography created by the teacher or the dancer8–40
• RepertoireAllowed in classical ballet only, at every level8–40

Masterclasses. No information in the rules.

Jury. Not published in full. Named for Marseille: Cosima Munoz, formerly Béjart Ballet Lausanne and Ballet Victor Ullate, now teaching at the École Nationale de Danse de Marseille.

What you can win. Excellence Gold, Gold, Silver, Bronze, Honour and Encouragement stars. Access to the Paris final.

Worth knowing. A very inclusive medal system: almost everyone leaves with something. Good for stage experience, not very discriminating.

Official site →Full sheet (shareable) →

Age categories

• Préparatoire 1 — demi-pointe8–10
• Préparatoire 2 — demi-pointe9–11
• Élémentaire 1 — demi-pointe11–13
• Élémentaire 2 — pointe11–13
• Moyen 1 — demi-pointe12–15
• Moyen 2 — pointe12–15
• Supérieur 1 and 214–25
• Excellence15–25
• EAT16–25

Levels. Three levels set by training volume: Amateur 1 to 2 classes a week, Avancé 3 or more, Supérieur timetabled programme, vocational school, or a regional or departmental conservatoire.

Variation. Set variations for solos, with the official video's choreography to be followed exactly. Dress code: light or bright leotard, light tights. Black, navy and dark grey are banned.

Where each type of variation is allowed

• Set variationSet variations for all solo entries at every level8–25

Masterclasses. Not applicable.

Jury. Teachers, artistic directors, choreographic centre directors and choreographers — names not published in advance. The jury may move an amateur scoring 17 or more up a level.

What you can win. From 17/20: unanimous first prize and a place at the national final. National first prizes go on to the European competition the following autumn — Madrid in 2026.

Worth knowing. The reference federation circuit in France, and the only one with set variations — so the only one offering an objective technical comparison. Everything hinges on the level you enter.

Official site →Full sheet (shareable) →

Age categories

• From age 8 — level brackets not published8–25

Levels. Two formal categories: Amateur, at Élémentaire and Moyen levels, and Pre-pro, at Moyen and Supérieur levels.

Variation. Not published. Classical, contemporary, jazz and hip-hop.

Where each type of variation is allowed

• Free ?Not published8–25

Masterclasses. Not published.

Jury. Not published, including for previous editions.

What you can win. Not published.

Worth knowing. 19 editions and a formal Amateur / Pre-pro split — the right signal. Multi-style, but the classical pre-pro track is identified as such.

Official site →Full sheet (shareable) →

Age categories

• Amateur — Préparatoire8–9
• Amateur — Élémentaire10–11
• Amateur — Études12–13
• Amateur — Intermédiaire14–15
• Amateur — Avancé16–22
• Pre-pro — Junior 110–11
• Pre-pro — Junior 212–13
• Pre-pro — Espoir14–15
• Pre-pro — Supérieur16–23

Levels. Two separate tracks: Amateur, six categories with set movements, and Pre-professional, four categories with a free variation.

Variation. Set movements in Amateur. Free variation in Pre-pro, where repertoire is not allowed until the Supérieur category, in which it becomes compulsory.

Where each type of variation is allowed

• Set variationSet movements throughout the Amateur track8–22
• FreeThe whole Pre-professional track10–23
• RepertoireCompulsory in Supérieur and banned below it — so not before age 1616–23

Masterclasses. Not published.

Jury. Not published for 2027, nor for 2026. The competition says the jury is chaired each year by a Paris Opera étoile: Élisabeth Platel chaired the 2025 edition, but the official site names no one for 2026.

What you can win. Medals, City of Deauville Prize, Lucien Barrière Prize, special jury prize, course places and cash prizes.

Worth knowing. A pre-professional track from age 10 and a chair of that standing: this is a competition that counts on a CV.

Official site →Full sheet (shareable) →

Age categories

• Amateur classical — levels 1 to 4, ages not published8–25
• Pre-Pro classical — levels 1 to 3, ages not published8–25

Levels. Two separate tracks, Amateurs and Pre-Pro, each running in jazz, classical and contemporary. In classical, the Amateur track has 4 levels and the Pre-Pro track 3. The site does not publish the age brackets attached to each level.

Variation. A list of classical variations exists for the Pre-Pro track. The 12-year-old bracket has no access to it — observed at the previous edition. The exact threshold above 12 is not published, and the organiser does not put its rulebook online in a readable form.

Where each type of variation is allowed

• Set variation ?Not detailed — the public rules do not say what is set, or for whom8–25
• Repertoire ?Closed to the 12-year-old bracket — checked on the previous edition. The exact threshold above 12 is not published13–25

Masterclasses. Not available.

Jury. Not available — no names published, for 2027 or for previous editions.

What you can win. Not available.

Worth knowing. Eleven editions and a confirmed pre-pro track, with four amateur levels and three pre-pro levels in classical. The site blocks automated access: ages, fees and repertoire rules can only be obtained by contacting the organisers.

Official site →Full sheet (shareable) →

Age categories

• Débutant8–9
• Élémentaire10–11
• Moyen 112–13
• Moyen 214–15
• Avancé 116–18
• Avancé 219–30

Levels. An explicit, checkable hours criterion: Amateur up to 3 classes a week, Supérieur 4 to 5 classes or conservatoire student, Pre-professional 6 or more classes or a timetabled programme.

Variation. Personal, one-off variations. Repertoire costumes are allowed in classical solos. Going more than 15 seconds over time means disqualification.

Where each type of variation is allowed

• FreePersonal, one-off variations, at every level8–30

Masterclasses. National and international masterclasses are offered as prizes.

Jury. Not published, including for previous editions. The jury may reclassify a candidate by style or level. 16/20 is a first prize, 18 earns jury commendation.

What you can win. City of Valence Prize and a one-year scholarship to the École de Danse Olivier Coste for one solo winner. Residencies and creation grants for groups.

Worth knowing. Affordable, with tracks defined by an objective criterion, and a one-year scholarship at stake. Timing is strictly enforced.

Official site →Full sheet (shareable) →

Age categories

• Espoir (demi-pointe)6–7
• Ballerina (demi-pointe)8–9
• Étude (demi-pointe)10–11
• Moyen 1 (demi-pointe)12–13
• Moyen 2 (pointe)12–13
• Avancé (pointe)14–15
• Supérieur (pointe)16–25
• Pre-professional15–25

Levels. The Espoir-to-Supérieur categories are open to everyone (free variation). A dedicated Pre-professional category exists from age 15.

Variation. Free variation everywhere — repertoire is forbidden in the Espoir-to-Supérieur categories. Pre-professional (15+): two compulsory variations, one from repertoire (exclusive ballet list; two La Bayadère variations excluded) + one free in any style. Presenting other competitions’ set variations is forbidden.

Where each type of variation is allowed

• FreeEvery individual category — free variation, 1:15 to 1:456–25
• RepertoirePre-professional category only — exclusive ballet list15–25

Masterclasses. Not mentioned in the 2027 rulebook.

Jury. Recognised personalities from the dance world; decisions are final. Honorary president: Karin Averty.

What you can win. Numerous cash prizes, trophies, workshop places and dance goods.

Worth knowing. New for 2027: online registration and payment (Yapla platform). Dress code: pastel tunic (girls), grey tights and white top (boys); costume compulsory from Avancé up. Duo and group categories too (classical and other styles). Public competition, free entry for candidates and teachers.

Official site →Full sheet (shareable) →

Age categories

• 6-96–9
• 10-1210–12
• 13-1513–15
• 16 and over16–24
• Adults25–60

Levels. Three tracks — Pre-Competitive Novice, Competitive and Elite — but defined by competition experience, not by classical training volume.

Variation. Free choreography. No set variation, no classical repertoire. Solo 3 minutes maximum.

Where each type of variation is allowed

• FreeFree choreography, no set repertoire6–60

Masterclasses. Not published.

Jury. Not published. At least three judges per discipline, decisions final.

What you can win. Cash awards from €75 to over €2,500, and invitations to the Canadian circuit for the best.

Worth knowing. A North-American-format multi-style competition. The biggest cash awards on the French calendar, but no repertoire and no set variation.

Official site →Full sheet (shareable) →

Age categories

• Categories not published — “the same as 2026”8–25

Levels. Not published.

Variation. Not published.

Where each type of variation is allowed

• Free ?Not published8–25

Masterclasses. Workshops on 15 and 16 May, a separate paid option, classes of 60 to 120 minutes. Registration from December, limited places.

Jury. Around twenty members described as “international choreographers, teachers and vocational school directors”. Names unreadable on the site; previously identified: Mounia Nassangar, Matteo Reggiori.

What you can win. Podium places, one-year study scholarships, courses in France and abroad, a performance slot, and a place at a major vocational school.

Worth knowing. Nearly 2,000 dancers, so a large recreational contingent — but one of the few French competitions to advertise one-year scholarships and school places.

Official site →Full sheet (shareable) →

Age categories

• Préparatoire8–9
• Élémentaire 110–11
• Élémentaire 212–13
• Moyen14–15
• Avancée16–17
• Supérieur18–25

Levels. Two tracks with an explicit criterion: Loisir, and Pre-professional for students in intensive training from 3 classes a week.

Variation. Demi-pointe at lower levels, pointe in the advanced categories. Repertoire is restricted to certain levels. An Interprète category asks for two variations in contrasting styles.

Where each type of variation is allowed

• FreeAll categories, demi-pointe then pointe8–25
• Repertoire ?Restricted to certain levels of the Pre-professional track — the rules do not say which8–25

Masterclasses. Optional, €25 each, taught by the jury members themselves.

Jury. Not published, including for previous editions — but the masterclasses are taught by the judges, so you meet them anyway.

What you can win. Over €30,000 in scholarships awarded. Gold with commendation, unanimous gold, gold, silver, bronze, three levels of mention.

Worth knowing. One of the clearest track structures on the French circuit, with a real volume of scholarships and masterclasses taught by the jury.

Official site →Full sheet (shareable) →

Age categories

• Ages 7 to 22 in classical — level brackets not published7–22

Levels. In classical: 6 amateur levels and 4 pre-professional levels, with girls and boys judged separately.

Variation. A repertoire variation is possible but not compulsory.

Where each type of variation is allowed

• FreeAll categories7–22
• RepertoirePossible but not compulsory, in both tracks7–22

Masterclasses. Not published.

Jury. Not published, including for previous editions.

What you can win. Medals, cash prizes, course vouchers, Ballet Études Trophy for the best amateur and the Odyssée Trophy with €300 for the best pre-professional.

Worth knowing. Four distinct pre-professional levels and a funded pre-pro trophy: it is properly structured. The full rulebook is only available on request.

Official site →Full sheet (shareable) →

Age categories

• Préparatoire7–9
• Élémentaire9–12
• Intermédiaire A & B12–15
• Avancé15–17
• Supérieur17–26

Levels. Three tracks: “Mon premier concours” (classical only, pedagogical, flexible ages 7–14), “Loisirs” (1 to 4 classes a week, 6 classical levels) and “Études”, which the rulebook defines as pre-professional. The jury may move a dancer from Loisirs up to Études. Open from 7 to 27, from any structure — conservatoire, private school, association or independent. Brackets above: girls in classical; boys differ slightly.

Variation. Three disciplines: classical, contemporary, jazz. Petipa's set variations may not be danced at any other competition; free variations are capped at 2 min 30. Duos: a pas de deux set by the teacher (2 to 3 min) or a repertoire pas de deux from age 13. Groups: level set by the average age, max 4 min. The 2027 set variations were created at the National Ballet School of Havana.

Where each type of variation is allowed

• Set variationIn Mon premier concours and Loisirs — set variations provided on video on the website7–26
• FreeIn Études: the teacher's own choreography, max 2 min 307–26
• RepertoireIn Études: repertoire variation, not simplified, max 2 min 307–26

Masterclasses. Not published.

Jury. At least 3 members (one per discipline), holding the French teaching diploma or a documented professional career. 2027 chair: Dani Miguel Hernández Acosta, National Ballet of Cuba. 2026 chair: Jennifer Goubé, première danseuse of the Paris Opera Ballet.

What you can win. Marked out of 20 — technique, artistry, musicality, plus “physique” in Études. Per the published scale: unanimous First Prize, 1st, 2nd and 3rd Prizes, accessits and encouragements.

Worth knowing. A good set-variation competition to cut your teeth on, with a strong jury and a genuine Cuban partnership. Public rounds, editions across Île-de-France, Nouvelle-Aquitaine, Rhône-Alpes, Occitanie and Belgium. And a rare genuine plus: scores and comments can be shared with the teacher after the competition. Age brackets from the 2026 rulebook (PDF).

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. YAGP has no recreational division — only three competitive age divisions. The Pre-Competitive division has a restricted repertoire list and allows choreography to be adapted to the dancer's technical level.

Variation. A classical repertoire variation from the approved list for each division, 2:30 maximum. Contemporary solo 2:00, or 2:30 for an extra $20. La Fille du Pharaon is strictly banned in Junior.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free, optional, with no effect on scores. In 2025 they were held at the Paris Opera Ballet School.

Jury. Not published for 2027. In 2026: Élisabeth Platel, Frédéric Olivieri, Ernst Meisner, Jason Beechey, Paola Cantalupo, Amanda Britton, Andrey Klemm, Paola Vismara, Claire Baulieu, and founders Larissa and Gennadi Saveliev.

What you can win. Finals qualification from 96/100 in classical, with wildcards possible. Youth Grand Prix Award for the Junior division — you must enter both classical and contemporary to be eligible. Scholarships are awarded by partner schools, sometimes at the semi-final and without a medal.

Worth knowing. The masterclasses are free and score-neutral, but that is where school directors watch. One rule to know: you cannot take podium places in more than one YAGP city.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from the approved list, plus a recommended contemporary solo.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published for 2027. YAGP's European juries usually bring together school and company directors: in Paris 2026, Élisabeth Platel, Frédéric Olivieri, Ernst Meisner and Jason Beechey.

What you can win. Finals qualification at 96/100 in classical. Scholarships awarded by partner schools.

Worth knowing. A six-day round, with the same euro fees as Paris.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track. Replaces the Vicenza round.

Variation. Classical repertoire from each division's list, 2:30 maximum. Contemporary 2:00.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published for 2027. Usual make-up: directors of major European schools and companies.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The last European semi-final before winter, in a city that is easy to reach from France.

Official site →Full sheet (shareable) →

Age categories

• Primary9–11
• Junior12–14
• Senior15–21

Levels. A strictly pre-professional competition with a single track. Professionals are excluded. Studio Company and Trainee positions are allowed, Apprentices are not.

Variation. Three rounds: a graded technique class and a set variation learned on the spot, then a prepared contemporary and classical piece, then a third variation before a fresh jury. Pointe work banned at 9-10, compulsory from 12.

Where each type of variation is allowed

• Set variationFirst round: a set variation learned on the spot9–21
• RepertoireSecond and third rounds, from a set list9–21
• FreeA prepared contemporary solo9–21

Masterclasses. Included — daily masterclasses during competition week, also accessible remotely.

Jury. Not published for 2027, and previous editions have not named their panels either.

What you can win. A scholarship network reporting 175 to 250 awards on average. Around 325 soloists are invited to the Florida finals.

Worth knowing. Three ways in: an in-person semi-final, a video application, or a fully virtual phase. Berlin is the only European round.

Official site →Full sheet (shareable) →

Age categories

• Candidates aged 15 to 1815–18

Levels. A single track at the very highest level. No age exceptions are ever granted.

Variation. Set classical variations from a list by age group, plus a set contemporary variation. Graded classical and contemporary classes throughout the week.

Where each type of variation is allowed

• Set variationA set contemporary variation15–18
• RepertoireSet classical variations, from a list by age group15–18
• FreeGraded classical and contemporary classes all week15–18

Masterclasses. The whole week is a training programme: daily classes and coaching with the jury members.

Jury. Published each year ahead of the event. Made up of directors of international schools and companies.

What you can win. Tuition scholarships at partner schools and apprentice contracts with companies. It is the world reference for getting into a school or a company.

Worth knowing. Something you prepare for years ahead. The Prix's set variations are excellent material to work on long before you enter.

Official site →Full sheet (shareable) →

Age categories

• Minis7–9
• Kids10–12
• Teens13–15
• Juniors16–18
• Seniors19–21

Levels. No amateur / pre-pro split: all levels compete together within their age bracket, which makes the field uneven from year to year.

Variation. Classical, including neoclassical, or contemporary freestyle. A single round. Pas de deux is restricted to Juniors and Seniors.

Where each type of variation is allowed

• FreeClassical, neoclassical or contemporary freestyle7–21
• RepertoireAllowed in the classical category7–21

Masterclasses. Paid extra: €37 per 90-minute class.

Jury. No names published, for 2027 or any previous edition. The site only refers to an “international jury”.

What you can win. Certificates, prizes and “potential scholarships”, never itemised. No list of partner schools is published.

Worth knowing. A fine venue and a tight format, but the jury is never named and the scholarships are never itemised. Note: the site's home page announces a postponement of the 2027 edition while the Competition page keeps the dates — check before committing.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published for 2027. Usual make-up of the European semi-finals: school and company directors.

What you can win. Finals qualification at 96/100 in classical.

Worth knowing. The longest of the European rounds, and the last before the finals.

Official site →Full sheet (shareable) →

Age categories

• Group 18–12
• Group 213–15
• Group 316–18
• Group 419–25

Levels. The only European competition to formally separate state and professional schools (CP) from private schools (CS). The choice is not yours: it depends on your school's status.

Variation. Two classical variations are compulsory for soloists. A classical soloist may not perform a modern piece or enter a duo. Video pre-selection is compulsory.

Where each type of variation is allowed

• RepertoireTwo classical variations are compulsory for soloists, in both the CP and CS tracks8–25
• FreeReserved for the modern and contemporary categories — a classical soloist may not enter them8–25

Masterclasses. Part of the festival, at the Staatsballett Berlin, the Friedrichstadt-Palast and the Marameo Studios. Every classical class has live piano.

Jury. No names published, for 2027 or previous editions — the site refers to “renowned dancers, teachers and choreographers”. The partner schools are named instead, which is more useful.

What you can win. Medals and diplomas, and above all a public list of schools offering scholarships: The Royal Ballet School, John Cranko Schule Stuttgart, Ballettschule John Neumeier Hamburg, English National Ballet School, Académie Princesse Grace Monaco, Ballettakademie der Wiener Staatsoper, State Ballet School Berlin, Dutch National Ballet Academy, Royal Swedish Ballet Academy, Dance Academy Zurich, Accademia Nazionale di Danza Roma.

Worth knowing. No other competition opens the door to those schools by name. Real caveats: opaque pricing and a compulsory hotel package.

Official site →Full sheet (shareable) →

Age categories

• Category 112–13
• Category 214–16
• Category 317–19

Levels. Restricted to students of European conservatoires and professional ballet schools, from age 12 to graduation. The field is even by design.

Variation. Classical solo, pas de deux, modern solo, and combined categories.

Where each type of variation is allowed

• FreeModern solo and combined categories12–19
• RepertoireClassical solo and pas de deux12–19

Masterclasses. Not published.

Jury. Not published, including for previous editions — “international jury” is all that is stated.

What you can win. Not published.

Worth knowing. The cheapest on the European calendar, in a real national theatre, with a professional admission filter. But too new to have an established scholarship network.

Official site →Full sheet (shareable) →

Age categories

• Mini — up to 94–9
• Children9–11
• Junior I12–14
• Junior II15–18
• Senior — 19 and up19–25

Levels. No classic recreational / pre-competitive split: VIBE distinguishes Semi-Professional (training 3 times a week or less) from Professional (4 or more). The split does not apply to Minis.

Variation. Six styles: Classical Ballet (repertoire), Neoclassical, Contemporary, Character/National, Open (jazz, hip-hop…), and Dance Special / Para Dance. Solos and duos capped at 2 min 30, groups at 3 min 45. Pointe shoes are not mandatory — the choreography must suit the dancer's age. Solos and duos judged together; groups and ensembles separately.

Where each type of variation is allowed

• Repertoire“Classical Ballet” category — choreography from the classical repertoire (Sleeping Beauty, Swan Lake, Giselle…)4–25
• FreeNeoclassical (classical technique outside the repertoire), contemporary, character, open category4–25

Masterclasses. “A major part” of the event, taught by the jury members at MUK: €18 per class, payable on site.

Jury. Jury 2027 not announced yet. In previous years it was published by name — state-school directors (Vienna State Opera academy, Royal Swedish Ballet School, Riga, Hungarian National Ballet, Zurich, Palucca Dresden…).

What you can win. Future Talent €500, Junior / Special / Senior “Outstanding Performance” Grand Prix of €1,000 each, plus training scholarships and courses with the visiting directors.

Worth knowing. The first competition open to dancers with and without disabilities (Para Dance category; non-competing partners take part free of charge). Marked out of 60 with artistry (40) worth double technique (20). Note: no individual feedback — VIBE hands out neither scores nor jury sheets. Also doubles as the Austrian Championship (APAD) for Austrian entrants.

Official site →Full sheet (shareable) →

Age categories

• Allievi10–13
• Juniores14–16
• Seniores — 17 and up17–30

Levels. No recreational / pre-competitive split: age categories only (Allievi, Juniores, Seniores), in classical and modern/contemporary sections. Allievi dance the final only; Juniores and Seniores go through a semi-final then the final.

Variation. Soloists max 2 min 30; pas de deux/duos (from 14, single category) max 3 min — except repertoire pas de deux, danced at its original length; choreographic compositions (B up to 14, A from 15, minimum 3 dancers, age = group average) max 4 min 30. White stage light throughout, stage costume required at every phase.

Where each type of variation is allowed

• FreeAllievi classical: free or repertoire variation, pointe optional10–13
• FreeModern/contemporary section: free variation at any age10–30
• RepertoireClassical: optional for Allievi; compulsory and on pointe from Juniores (14)10–30

Masterclasses. Taught by the jurors during the event, “strongly recommended” for a fuller evaluation: €40 for the first two, €30 from the third (€50 for non-competitors). Intermediate and advanced levels, classical and contemporary.

Jury. The “Renowned Jury” page lists some thirty figures who have sat on the PID jury: Luca Masala (Princess Grace Academy, Monte-Carlo), Ernst Meisner (Dutch National Ballet Junior Company), Richard Wherlock (Ballett Theater Basel), Katrin Hall (Gothenburg), Juliana Sabino Wilhelm (Palucca Dresden), Daria Klimentová… The exact 2027 jury has not been detailed yet.

What you can win. First prizes: €200 (Juniores), €300 (Seniores and pas de deux), €300 (composition B) and €800 (composition A); Allievi: dancewear and diploma. On top, the “Premi al Merito”: contracts, professional traineeships and scholarships from the partners, awarded at the jury's discretion.

Worth knowing. Well established on the Italian circuit and now well documented (2027 rulebook published). Plan ahead: the Italian “agonistico” medical certificate is required at registration, the final gala is compulsory for podium winners, and the Allievi → Juniores step is a real jump — from 14, classical repertoire on pointe is compulsory.

Official site →Full sheet (shareable) →

Age categories

• Promesse9–11
• Allievi12–14
• Juniores15–18
• Seniores19–24

Levels. An explicit split among classical soloists: Group A for non-professional schools, Group B for academies and professional schools.

Variation. Classical soloists, modern-contemporary, pas de deux, choreographic composition and groups.

Where each type of variation is allowed

• FreeModern and contemporary soloists, in both groups9–24
• RepertoireClassical soloists, groups A and B9–24

Masterclasses. Included — daily classical and contemporary technique classes for every entrant, at no extra cost.

Jury. Not published, including for previous editions — “distinguished Italian and international figures”.

What you can win. From €750 to €1,000 by category, course credits for the youngest, and scholarships to major Italian and international professional schools.

Worth knowing. €150 all in with daily masterclasses included, in a real theatre: the best value on the European calendar.

Official site →Full sheet (shareable) →

Age categories

• Juniors12–14
• Intermediate15–18
• Professionals19–26

Levels. Three divisions: Juniors, Pre-professionals and Professionals.

Variation. Not published.

Where each type of variation is allowed

• Free ?Not published12–26
• Repertoire ?Not published12–26

Masterclasses. Offered to entrants.

Jury. Chaired by Aivars Leimanis, artistic director of the Latvian National Ballet, with seven international members in 2025.

What you can win. Cash prizes and placements at European ballet schools. Amounts not published.

Worth knowing. Institutionally well anchored — Latvian National Opera, Daile Theatre — but very little practical information published.

Official site →Full sheet (shareable) →

Age categories

• Under 64–6
• 7-97–9
• 10-1210–12
• 13-1513–15
• 16-1916–19
• 20-2920–29

Levels. No skill levels within the age brackets — everyone competes together. This is the dance-school circuit, not the pre-professional one.

Variation. Free choreography, with at least 50% dance technique. Solo 3 minutes. Nine genres, ballet being just one section among them.

Where each type of variation is allowed

• FreeFree choreography, all styles, no set repertoire4–29

Masterclasses. Not published.

Jury. A Dance World Cup judging panel for the video selection. Names not published.

What you can win. Rankings by style and division.

Worth knowing. The video selection costs no travel: you only commit financially once selected. The atmosphere is excellent, but no professional school director recruits there.

Official site →Full sheet (shareable) →

Age categories

• Mini5–8
• Junior9–11
• Teen12–14
• Intermediate15–17
• Senior18–29

Levels. No skill tracks: the structure comes from event categories and styles.

Variation. In Ballet Repertoire, the variation is chosen from a set list. Other styles: free choreography.

Where each type of variation is allowed

• Set variationIn Ballet Repertoire, the variation is chosen from a set list5–29
• RepertoireThe Ballet Repertoire category5–29
• FreeAll other styles5–29

Masterclasses. Not published.

Jury. Announced as “artistic directors from world-renowned institutions”. 2027 names not published; a 2026 list existed but is no longer accessible.

What you can win. Medals and trophies, plus scholarships awarded at the judges' discretion and explicitly unrelated to placement.

Worth knowing. No French round in 2027: the closest are Brussels in February, Forlì in April and Grenchen in May.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. By qualification only: 96/100 in classical at a semi-final, or a jury wildcard.

Variation. One classical variation and one contemporary solo are compulsory for all Juniors and Seniors.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. All included in the flat fee.

Jury. Not published for 2027. Finals juries usually bring together the directors of partner schools and companies.

What you can win. Grand Prix, Youth Grand Prix for the Junior division, Hope Award for Pre-Competitive, Top 12, special prizes, and scholarship offers from partner schools.

Worth knowing. It is no longer New York: the finals left New York several seasons ago.

Official site →Full sheet (shareable) →

Age categories

• Primary — no pointe7–8
• Division 1 — no pointe9–11
• Division 2 — pointe optional12–14
• Division 3 — pointe required15–18
• Division 419–24

Levels. No recreational / pre-pro split: age brackets only. Professionals are admitted in pas de deux only.

Variation. A classical variation from a set list, plus a contemporary solo from Division 1 upwards. Two classical variations in Division 3.

Where each type of variation is allowed

• RepertoireA classical variation from a set list, in every division7–24
• FreeContemporary solo, from Division 1 upwards — the Primary division dances classical only9–24

Masterclasses. Included in all entry fees.

Jury. Not published, including for previous editions.

What you can win. Not published.

Worth knowing. Open to all with no pre-selection, and no video is required in the Primary and 9-11 divisions. Masterclasses are part of the price.

Official site →Full sheet (shareable) →

Age categories

• Primary9–11
• Junior12–14
• Senior15–21

Levels. Strictly pre-professional, a single track. Professionals are excluded; Studio Company and Trainee positions are allowed.

Variation. Three rounds. The first counts for a third of the score: a graded technique class, a set variation learned on the spot, and coaching. Pointe work compulsory from 12.

Where each type of variation is allowed

• Set variationFirst round: a set variation learned on the spot9–21
• RepertoireSecond and third rounds, from a set list9–21
• FreeA prepared contemporary solo9–21

Masterclasses. Included, including remote access.

Jury. Not published for 2027, nor by name for previous editions. The final round is judged by a different panel from the earlier rounds.

What you can win. A scholarship network reporting 175 to 250 awards on average. Around 325 soloists are invited to the finals.

Worth knowing. Very accessible from Europe thanks to the video application and the Berlin semi-final. The first round, graded on a class and a variation learned on the spot, tests adaptability rather than polish.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive7–8
• Primary9–11
• Junior12–14
• Senior15–21

Levels. The clearest split in this whole guide. Intermediate: 2 to 4 years of training, at least 3 classes a week, restricted repertoire — and no solo access to the finals. Competitive: 5 or more years of training, 4 to 5 classes a week, full repertoire.

Variation. A classical variation from a set list, with a reduced list for Intermediate — Black Swan and Sugar Plum are banned there. Contemporary is also offered.

Where each type of variation is allowed

• RepertoireCompetitive track: the full classical repertoire7–21
• RepertoireIntermediate track: a restricted list, Black Swan and Sugar Plum are banned7–21
• FreeThe contemporary category7–21

Masterclasses. Not published.

Jury. Not published, including for previous editions.

What you can win. Medals for everyone, plus cash prizes, scholarships and professional contracts at the jury's discretion.

Worth knowing. No rounds outside the United States: you have to travel to a US regional. But it is the only competition that defines its tracks by years of training and weekly class volume.

Official site →Full sheet (shareable) →

Age categories

• Junior15–18
• Senior19–26

Levels. A single track at the very highest level. No category below age 15.

Variation. Three rounds and six solos to prepare for soloists: two classical variations, a contemporary piece, then two classical and one contemporary. Contemporary works must have been created after 2020.

Where each type of variation is allowed

• RepertoireTwo classical variations in round one, two more in round three15–26
• FreeContemporary pieces, which must have been created after 202015–26

Masterclasses. Not mentioned.

Jury. Not published for 2027 — “a panel of international dance figures”. Chaired by John Meehan in 2023.

What you can win. Up to $20,000 for the Senior Grand Prix, $1,500 for each third-round finalist, and the Grand Prix City of Jackson Award of Excellence — given just four times since 1979.

Worth knowing. 50th anniversary in 2027. Selection by application and video: 99 competitors from 16 nations in 2023.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track. The Pre-Competitive division has a restricted repertoire list and allows choreography to be adapted to the dancer's technical level.

Variation. A classical repertoire variation from the list for each division, 2:30 maximum, plus a 2:00 contemporary solo.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free, optional, with no effect on scores.

Jury. Not published for 2027 — YAGP only announces its panels shortly before each round. US panels usually bring together North American school and company directors.

What you can win. Qualification for the Tampa finals from 96/100 in classical. Scholarships awarded by partner schools, sometimes as early as the semi-final.

Worth knowing. This is the heart of the YAGP circuit, with the most rounds and the deepest fields. Fees are in dollars and higher than in Europe.

Official site →Full sheet (shareable) →

Age categories

• “All ages” — brackets not published on the Canadian site6–30

Levels. The Canadian site says “all levels” without detail. The French rounds use the Pre-Competitive Novice, Competitive and Elite tracks.

Variation. Free choreography, all styles. No set repertoire.

Where each type of variation is allowed

• FreeFree choreography, all styles6–30

Masterclasses. Not published.

Jury. Not published, including for previous editions.

What you can win. Around $50,000 in total prizes, with a closing gala.

Worth knowing. Two rounds of the same circuit take place in France, making it an inexpensive way into the Canadian one.

Official site →Full sheet (shareable) →

Age categories

• Junior — flat shoes11–12
• Supreme A — pointe13–14
• Supreme B — pointe15–18

Levels. No recreational / pre-pro split, but a clear technical progression: flat shoes in Junior, pointe thereafter.

Variation. A set solo for each category, plus a free contemporary or lyrical piece in Supreme A and B.

Where each type of variation is allowed

• Set variationA set solo for each category11–18
• FreeA free contemporary or lyrical piece, in Supreme A and B only — the Junior category dances the set solo alone13–18

Masterclasses. Not published.

Jury. Published for 2027: Li Cunxin, former artistic director of Queensland Ballet, Mary Li, former principal with English National Ballet and Houston Ballet, and Ty King-Wall, director of the Royal New Zealand Ballet.

What you can win. NZ$60,000 in cash and over NZ$100,000 in elite scholarships. Supreme A and B: NZ$11,000 / 6,000 / 3,000. Winners also receive free entry to the YAGP Sydney seminar.

Worth knowing. One of the few competitions to publish both its jury and its prize money in full. It is an Australasian competition: check eligibility for European entrants before committing.

Official site →Full sheet (shareable) →

Age categories

• Performance A9–10
• Performance B11–12
• Junior A13–14
• Junior B15–16
• Senior17–23

Levels. No recreational / pre-pro split, but a separate Professional division from 16. The Contemporary category only opens at 15: 9 to 14-year-olds compete in classical only.

Variation. A compulsory classical variation from the AGP list at regional rounds, contemporary optional. At the finals, Performance A and B perform classical only.

Where each type of variation is allowed

• RepertoireA compulsory classical variation from the AGP list, at every age9–23
• FreeThe Contemporary category only opens at 15 — 9 to 14-year-olds compete in classical only15–23

Masterclasses. Included and compulsory at the finals, taught by recognised experts and by the jury members.

Jury. Not published by name for 2027. Strict marking: gold from 93 points, with a maximum of two golds per division.

What you can win. Cash awards from HK$4,000 to 12,000, an Asian Grand Prix Award of HK$60,000 for 15-21s and a Youth Asian Grand Prix Award of HK$40,000 for 13-17s, plus partner school scholarships.

Worth knowing. The finals are strictly by invitation. From Europe, the realistic way in is the remote video audition.

Official site →Full sheet (shareable) →

Age categories

• Pre Junior A7–8
• Pre Junior B9–10
• Junior A11–12
• Junior B13–14
• Senior A15–16
• Senior B17–25

Levels. No recreational / pre-pro split published: age brackets only.

Variation. Ballet and contemporary solos. Classical variations are from repertoire based on the published list (Pre-Junior, Junior, Senior) — the rule is not very explicit: masterpieceibc.com/variation-list.

Where each type of variation is allowed

• FreeContemporary solos7–25
• RepertoireClassical solos — repertoire variations from the published list7–25

Masterclasses. Included — a solo entry covers the event, a masterclass, variation coaching and a leotard.

Jury. Not published for 2027. In 2026: Alexei Moskalenko, Era Jouravlev, Giuseppe Canale, Claudia Zaccari and Nicole Corea.

What you can win. Not published.

Worth knowing. Open registration with no pre-selection, and variation coaching included in the price.

Official site →Full sheet (shareable) →

Age categories

• Precompetitive I — flat shoes8–10
• Precompetitive II10–12
• Junior B I12–14
• Junior B II14–15
• Junior A15–18

Levels. No recreational track. Restricted to amateurs aged 10 to 23; dancers employed by a company are excluded, except in the Senior category.

Variation. Classical variations only. Black Swan, Esmeralda and Grand Pas Classique are excluded, as are copyrighted choreographies. 3 minutes maximum.

Where each type of variation is allowed

• RepertoireClassical variations only. Black Swan, Esmeralda and Grand Pas Classique are excluded8–18
• FreeThe contemporary category, from Precompetitive II upwards10–18

Masterclasses. Not mentioned.

Jury. 17 international judges — the competition claims to be the only one with a panel made up entirely of international adjudicators. Names not published.

What you can win. Apprenticeships and scholarships from companies and schools in Europe, Oceania, Canada and the United States. That is the competition's main draw.

Worth knowing. Open internationally, but no explicit guidance on converting Japanese school years for foreign entrants.

Official site →Full sheet (shareable) →

Age categories

• Scholar9–12
• Junior13–16
• Senior17–22

Levels. No recreational / pre-pro split published.

Variation. Classical and contemporary solos, a choreographic section, ensembles and pas de deux.

Where each type of variation is allowed

• FreeContemporary solos and the choreographic section9–22
• RepertoireClassical solos and pas de deux9–22

Masterclasses. Not published.

Jury. Not published for 2027. In 2026: Sergey Usanov, Callum Hastie, Kate Coyne, Lorelei Bair, Igor Kolb, Ariel Mejic and Thoriso Magongwa.

What you can win. Not published.

Worth knowing. International competitors are exempt from regional qualification, unlike most South African entrants. 115 dancers in 2026.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published for 2027.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The only Canadian round of the season, and already on wait-list.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The opening round of the YAGP 2027 season, already held. Worth noting for next season.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical. Winners of the New Zealand competitions also receive free entry to the YAGP Sydney seminar.

Worth knowing. The southern-hemisphere round of the season, paired with a seminar. Already held.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. A short round, the tightest on the Asian circuit.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The only round on the circuit with two price lists depending on the school's origin.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. Ten days of competition: the Japanese field is one of the deepest on the international circuit.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The largest of the season's three Latin American rounds.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. Runs on exactly the same dates as the Paris semi-final.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The Argentine round of the Latin American circuit, three days before Bangkok.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The second of the season's three South-East Asian rounds.

Official site →Full sheet (shareable) →

Age categories

• Pre-Competitive8–11
• Junior12–14
• Senior15–20

Levels. Three competitive age divisions, no recreational track.

Variation. Classical repertoire from each division's list, plus contemporary.

Where each type of variation is allowed

• RepertoireA classical repertoire variation from the approved list for your division, at any age8–20
• FreeContemporary solo — compulsory at the finals for Juniors and Seniors8–20

Masterclasses. Included and free.

Jury. Not published.

What you can win. Qualification for the Tampa finals at 96/100 in classical.

Worth knowing. The last Asian round of the season before the European semi-finals in December.

Official site →Full sheet (shareable) →